LAYING ОF TRADITIONAL UKRAINIAN ETHNICULTURE BY THE SOVIET TOTALITARY MODE: BY MATERIALS OF THE KOBZA MUSEUM OF THE PEREYASLAV NATIONAL HISTORICAL AND ETHNOGRAPHIC RESERVE

Abstract

The article examines the state of existence of the kobza-bandurian tradition in Ukraine from the 1930's. and to the present. The emphasis was placed on the problem of persecution and destruction of representatives of the ancient kobzar tradition and popularizers of bandura art on the documentary materials collected at of Kobza Museum of the Pereyaslav National Historical and Ethnographic Reserveand archival sources. The authors focus on highlighting the issues of the first quest for christmas bandura for professional musicians. A chronological analysis of the creation of the first kobzar choirs, bandura ensembles is carried out. This topic is illustrated by examples of repressed bandura players: a participant of the First Ukrainian artistic chapel of kobzars, Ivan Borispol from
Borispol, bandurist and master bandura Ovram Yatsenko from the village. Kharkiv Pereyaslavlia, the master of making chromatic bandura - Grigory Palievets from Poltava, the leader of the bandura choir - Nikifor Chumak from the village of Shishaki (Poltava region) and his student - David Ivakhnenko - the bandurist of the Donetsk regional philharmonic society, etc. Particular attention is paid to the coverage of the issue of the birth of the newest professional type of art - bandura music. The heritage of creative generations from the kobzars to the modern rebuilding movement is emphasized, in an effort to popularize the Ukrainian heroic epic and propagandize the Ukrainian idea of self-identity.